With their small format the sculptures cast in epoxy resin form a counterbalance to large-format representative paintings. For instance the unreal, dreamlike Florentine landscape which Leonardo da Vinci painted as the background for the portrait of the Mona Lisa. But the figure after whom the work is named is omitted. In her place the background must be completed and therefore recreated. (Kathrin Frauenfelder, Miniature Museum, 2003)