The vast spectrum of blue, grey and green iridescent brushstrokes lends the hares an immediate corporeal presence. As if assembled in an ancestral gallery, their bust portraits hover on a white gesso background. The clinically vacant room radiates the coldness and abstract neutrality of a laboratory, whereas the virtuosity of the artist's execution in oil appears in the style of the old masters - which is further underscored by the term 'cabinet'. (Stefanie Hoch, 2013)